Modus Vivendi

Beethoven: String Trio in E-flat major, Op.3 - 1. Allegro con brio

Mutter, Giuranna, Rostropovich

dal2012:

Beethoven, String Trio In E Flat major , Op.3  I. Allegro con brio Bruno Giuranna (Viola), Anne-Sophie Mutter (Violin), Mstislav Rostropovich (Cello)

via thornvn: (source: immaestro:)

Chico Buarque - Dura na Queda

Chico Buarque is one of the most important Brazilian singers and composers of Brazilian Popular Music (known as MPB). Chico has many passions and it reflects directly in his music. I’m such a fan of him.

Well, I strongly recommend many songs of him as: Construção, Maria e João, Geni e o Zepelin, Noite dos Mascarados, Valsa Brasileira, Feijoada Completa and his Saltimbanco Opera.

Hope you all enjoy it!

(via sanchezfarm)

W.A.Mozart: Piano Concerto no. 27 in B-flat major - 1. Allegro

Freiburger Barockorchester, von der Goltz, Andreas Staier

I do like most of all Piano Concertos of Mozart: they’re so simple and gorgeously beautiful. I should say that my favorites are 20, 21, 23 and 27. I bolded [sic] the 23rd ‘cause it’s so special for me that I’ll certainly post something about it later, but I could tell you all that the 23rd is perfect: that bassoon solo on the Adagio is MAGIC.

Talking about the 27th isn’t easy as I thought earlier. It’s the last of all Mozart’s Piano Concertos. I do think that the last 7 Concertos are kind of more beautiful and easier than most of the 27; well, it’s something I guess, you can disagree! My favorite record of some Mozart’s Piano Concertos is that one with Abbado and Maria João Pires.

Well, I wanted to talk more about the 27th, but I can’t: it’s missing something in me and I don’t want to write things that I will regret later. But I should tell you all that this performance is very excellent. I loved it at the first “sight”.

Hope you all enjoy it as much as I did.

beneetu:

Mozart: Piano Concerto #27 K 595 - 1. Allegro 13:43

 Andreas Staier(forte piano); Gottfried Von Der Goltz: Freiburger Barockorchester

 Mozart: The Last Concertos

grooviejazz:

‘Tres Palabras’ by Brad Mehldau [Anything Goes, 2005]

Ironically, Anything Goes would have been a more fitting title for pianist Brad Mehldau’s previous effort, the idiosyncratic and experimental Largo. Completely eschewing the electronic flourishes and horn sections that characterized the 2002 Jon Brion-produced album as Mehldau’s most adventurous release up to that point, Anything Goes is actually a return to a more traditional approach. Featuring his longtime sidemen bassist Larry Grenadier and drummer Jorge Rossy, Mehldau has crafted a thoughtful and pretty standards-based album. Classics including the title track and “Get Happy” are artfully deconstructed in a style that calls to mind a deft blending of Mehldau’s most obvious touchstones, Keith Jarrett and Bill Evans. Similarly, “The Nearness of You” and “I’ve Grown Accustomed to Her Face” are masterpieces of impressionism that veritably weep with the plangent yearning of Miles Davis’ trumpet. However, by the time Mehldau turns Radiohead’s “Everything in Its Right Place” into the missing track off Sketches of Spain and solidifies Paul Simon’s “Still Crazy After All These Years” as the most poignant ballad ever written, Anything Goes moves from the expected to the inspired and that alone makes this worth a listen.

J.S. Bach: Concerto for 3 Harpsichords, Strings and Continuo no.1 in D minor, BWV 1063 – 1. Allegro

Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Hamburger Philharmoniker

Gorgeously played! I do recommend you all to listem this Concerto. 

navigolucky:

Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Hamburger Philharmoniker

oranc:

Bach: Concerto for 3 Harpsichords, Strings, and Continuo No.1 in D minor, BWV 1063 – 1. (Allegro) (05:14)